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Overlay a reference mic or intelligibility curve as a visual EQ target

This page shows you how to display a reference frequency-response curve—such as the AT&T 1959 intelligibility target or the response of a famous SSB microphone—on the EQ canvas while you tune bands. The curve is a visual guide only; it does not affect EQ math.

Before you start

  • Open the Aetherial Parametric EQ editor by double-clicking the EQ stage in the CHAIN widget (TX or RX side).
  • The editor window is titled "Aetherial Parametric EQ — TX" or "— RX" depending on which side you opened.

Steps

  1. In the floating editor's header strip, locate the Ref: combo box.
  2. Click the Ref: combo box and select one of the following:
  3. Off (default) — no reference curve
  4. AT&T 1959 — Bell Labs intelligibility target, +5 dB at 2.5 kHz
  5. Heil DX — aggressive presence boost for SSB contests
  6. Astatic D-104 — classic lollipop mic, sharp peak at 3 kHz
  7. Shure 444 — broadcast-style desk mic, gentler boost
  8. Heil HC-5 — modern dynamic SSB element
  9. The selected curve appears as a thin amber line on the EQ canvas.
  10. Adjust your EQ bands to match the reference curve, or use it as a rough shape for your target response.
  11. To remove the overlay, select Off from the Ref: combo box.

What each control does

Control Default Valid range Persisted setting key Behavior
Ref: combo Off Off | AT&T 1959 | Heil DX | Astatic D-104 | Shure 444 | Heil HC-5 ClientEqReferenceCurve Overlays a reference target curve on the EQ canvas as a thin amber line. Shared between RX and TX editors.
Smoothing: combo Off (1/96) Off (1/96) | 1/24 | 1/12 | ⅙ | ⅓ ClientEqSmoothingFraction Applies fractional-octave power-averaging to the analyzer trace for display. Does not affect EQ math. Shared between RX and TX editors.

Tips

  • The reference curve is display-only—it never changes the audio path, so feel free to experiment with different presets.
  • The selection persists globally; choosing a curve in the TX editor also affects the RX editor's display.
  • Combine the reference curve with Peak Hold to compare your band shaping against a sustained look at the audio actually passing through.
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